This n that

Not long ago I was approached by the assistant art director for the e-zine Moondance for permission to use my art piece "Mythic Self Portrait" to illustrate one of their stories. You can check it out and read a lot of interesting articles here.

In other news, I recently donated my painting Supposedly Aerial to a benefit auction hosted in July by Street Haven, a women's shelter in Toronto. Here's to hoping it will help raise some money for their worthy cause!

Here's a photo of me in my temporary studio here in France. This pic was taken in the beginning of May, when it was pouring for days!

After the rain

Last week we had the most rain I have ever seen in my life! It even beat my experiences of Florida during hurricanes. For about 4 days it rained pretty much non-stop, with heavy winds. It was quite a shock to my Floridian senses to be huddled near an evening fire in the middle of May. Here are some pictures taken during the brief spells of non-rain...

This is the view from the front of the property.

Here is a lovely rainbow over the fields of one of our neighbors.

My soon-to-be studio

I'm excited about my new little studio. It will be in this cozy little ramshackle shack, which we are piecing back together. Basically it needs a new roof and a floor, and we'll be cutting in a new window to overlook the expansive scenery which you can see behind the hut. It's in a nice, quiet, lovely location which will be perfect for creating art. I'll share some more pictures once we've got it fixed up and I am settled inside!

Bonjour!

Well I'm delighted to say that the weather has since warmed since my last post. I still have limited computer access, so I haven't been able to spend as much time updating this blog. In the meantime, here are some pictures of the beautiful surrounding countryside:

La France

Bonjour! We arrived in France about a week and a half ago, taking the train from England all the way down to the south of France. It was surprisingly cold when we got here... an interesting experience considering the house doesn't have central heating, or electric heaters! All we had was a good old fashioned fireplace to keep up warm during dinner in the evenings. I spent many nights wearing 2-3 pairs of socks to bed. I am thankful to say that the weather has since warmed up and we are starting to get back into the routine of being here. I've set up a makeshift indoor art studio, while we work on the little cabin which will be my workspace during the summer. I picked up this cute little canvas and easel from a store the other day, on which I plan to paint a mini abstract. The canvas is only 7cm square. Tiny!

'Ello!

Well I'm back in blustery old Brighton at the moment! Quite a shock from Florida... why just last week I was sunning at the beach and now I'm wearing heavy jackets and scarves. I heard rumors that it was warm up until I arrived, but I'm sure their opinion of 'warm' differs from mine. Yesterday we had a light flurry of snow that lasted about 2 minutes. Although I hadn't seen snow in 8 years and was enchanted to see it, I must admit I'm glad it didn't last longer as surely that would have meant my Floridian bones would have wound up even more frozen than they already are.

I've started working on a new Deep Thinkers drawing, this one featuring a lovely green parrot, the Thai language, and old typewriter keys. By the end of the month I'll be in France and resume my normal posting habits then!

Busy Busy!

I've been super busy lately getting ready to leave for Europe. I'm winding down my business here in Florida, by finishing up paintings and organizing my art and art supplies to be taken overseas. For example, in preparation for doing more landscape paintings in France, I've cut to size thirty 4" x 6" pieces of heavy 300lb hot-pressed watercolor paper with an X-acto knife, which I then triple-gessoed. That was a task!

Recently I took a walk in downtown Tarpon Springs with my camera, photographing some of the neat old buildings. Later I played around with some of the photos in Photoshop, to make them look aged and interesting. Here's what I came up with!

Candy Colors

Here is an update of the candy and marbles painting, which I recently finished. I'm pretty happy with it! You can see a larger version, showing more of the detail in this piece, here.

This painting is available for purchase here.

Our view

Here's the French landscape painting I started a couple days ago. This is my first attempt at an Impressionist landscape painting, and also at creating a landscape at such a small scale (4" x 6"). I mixed a gel medium with the acrylics to thicken the paints, creating a texture similar to oil paints. The technique was pretty fun, and resulted in a surface in which the brushstrokes were more visible than they usually are in my paintings. Working in this manner was a nice contrast from my usual smooth, photorealistic style of painting in realism. I look forward to trying a few more and seeing what happens!

New landscape underpainting

Here is the underpainting for the landscape I've just started (as inspired by the aforementioned landscape show!). This is the view to the northwest, as viewed from our veranda in France. I'm trying this painting in a small, postcard size of 4" x 6", with acrylic on 300 lb paper. So far this is just the absolute bare bones of the painting, a quick sketch to lay out the composition...

New appreciation

Last night I attended an Art After Dark event at the Tampa Art Museum. It was fun to mingle with the crowd amongst the art after hours, to the throbbing sounds of a live band. They had a really nice exhibition titled Tourism and the American Landscape, featuring the artwork of Frederic Church, Winslow Homer, and Thomas Moran. I will admit that these types of paintings, when viewed as reproductions in books or online, seem almost insufferably boring (in my contemporary opinion), so I didn't have high hopes. But viewing the works of art in person makes such a huge difference! It becomes an entirely different experience of the art when one is able to view them upclose, in person - to see the various brushstrokes, the thickness or thinness of the paint, the luminescent quality of the paint. I gained a new appreciation for these artists, and was reminded of how important it is to view works of art in person as much as possible. I was also inspired to try some landscapes of my own! I have plenty of reference material from photos I've taken abroad, so I hope to tackle them in the coming weeks.

Inside the art

Here's what my work space has looked like this week:

I've been swapping back and forth between the abstract paintings. The four middle ones are going to be sent to a gallery in Ohio, so those are the ones I'm trying to finish first. Usually I like to go back and forth between working on realism and abstract, but I've been so focused on getting these done that this week I've only been working on abstracts. It's interesting the affect it's had on me - when I close my eyes at night, it's like I can see different colors and shapes floating in and out and all around. If you've ever seen the movie What Dreams May Come, do you remember the part where Robin Williams is "inside" his wife's painting? The painting's colors are all around him. That's kind of like what it's felt for me this week, only in a much more abstract manner. Very interesting!

The Recent Cold

I've enjoyed the recent cold weather lately. Of course I'm saying that from a Floridian perspective, of having been a bit disappointed by the absurdly warm winter we'd been having. For most of December and January there's not really been any need for so much as a sweater. I like changes in seasons, since they are still quite a novelty for me (although I have no desire to experience another English winter!). So it's been really fun for the past week to be able to put on a jacket and take a brisk hour-long walk along the beach, to get the juices flowing. What's great is that when the weather gets like this in Florida, when it's overcast and chilly, the beach is practically empty. I love the sense of quiet solitude that can be had on those occasions. It's a good time for self-reflection and observation of nature, and rejuvenates the desire to jump back into those bright, colorful abstracts!

More doodles...

Here are some more doodles from my Brighton sketchbook...






I've been very busy this week, scrambling to finish 4 paintings by next Monday for an upcoming show in Ohio! I'll show pics of them when they are finished.

Large and Small

It's been awhile since I last posted a progress pic of this still life, so I thought I'd share. I've kind of set it aside for the past couple weeks, as I've been working on commissioned work as well as larger work. In March I'll be heading back to Europe, so until then I'll be focusing on larger works. When I'm in Europe, it's much easier to focus on smaller works because it keeps the shipping costs for my work down. So I'm taking the opportunity to use my larger sized canvases while I can! It's fun to create large works, but to be honest I'm looking forward to working on a small scale again. I have a lot of ideas for new Deep Thinkers, which I'm eager to get started on. And I'm eager to jump back into the habit of doing 2-3 small photorealist still lifes per week. Overall I'm interested in exploring the intimacy and expressiveness that can be achieved by creating works on a small scale.

Rover Goes Retro!

Here we go! I finished the retro Rottweiler painting. Here are 3 pics - one in-progress shot, and two views of the final version.






This painting was mega-fun to create (and will be available for sale this week)! The metallic paints were a nice touch - silver on the moon boot platforms, and blue on the outer edge of the frame.

Doodles...

I was looking through one of my old sketchbooks today, which is always a source of inspiration. It's really interesting to trace the trajectory of my mind as evidenced by the various doodles, notes, ideas and sketches that are scribbled onto the pages. I always hope that someday I will have the time to revisit and develop those ideas.

These doodles came from a sketchbook that I kept two years ago while living in Brighton, England. I must have been in a portrait mood!

Piggybacking

I found this delightfully cheesy velvet Rottweiler painting at a thrift store, and I couldn't resist. I rescued the painting and intend to funk it up by painting over the original artwork - a process referred to in art terms as "piggybacking". It's my first attempt at piggybacking, and I think it will be quite fun. I already have a vision in mind for the painting, which is tentatively titled "Rover Goes Retro".

Chunky

I've started working on a new abstract. This one is a bit chunkier than my usual ones. It is 6" x 6" x 2", with all four sides painted as well. It's neat, kind of like a little abstract art cube.

I'd say this painting is about halfway done right now. The basic elements are down, now it's just a matter of filling in more colorful details.
When I do painted sides, they are usually 1.5". It is interesting the difference just half an inch makes! Someday I'd like to try the ones with 3" sides.

Colorful Candy

Here is my latest photorealist work-in-progress:

Work-in-progress - 6" x 6" - Acrylic on Wood Panel

I love this piece because it's so colorful! The colors are so bright and vivid, reminiscent of the palette I use in my abstracts. In fact I think this painting looks really great juxtaposed with one of my 6" square abstracts.